What is phantasmagoria in literature. The meaning of the word phantasmagoria
Phantasmagoria(from ancient Greek φάντασμα - a ghost and ἀγορεύω - I speak publicly). The word has several meanings:
- Bizarre delusional vision: “Happiness is over for him, and what happiness? phantasmagoria, deception. "
- In a figurative sense - nonsense, an impossible thing.
- A ghostly, fantastic image obtained through various optical devices.
- Phantasmagoria (art) - a heap of bizarre images, visions, fantasies; chaos, confusion, grotesque.
- Phantasmagoria (performance) - a genre of theatrical performance in Europe in the 18th-19th centuries, in which frightening images were shown in the background with the help of a "magic lantern": skeletons, demons, ghosts.
"Magic Lantern" - a device for projection of images, widespread in the XVII – XX centuries, XIX centuries. - in widespread use. It is a significant stage in the history of the development of cinema.
- Phantasmagoria (cinema) is a subgenre of science fiction cinema, representing films about something completely unreal, depicting bizarre visions, delusional fantasies.
- Phantasmagoria (in literature) is a satirical technique akin to grotesque, that is, exaggerated caricature of a character when he appears to the reader in ugly and incredible forms, all the more clearly showing his essence.
Phantasmagoria in literature
Phantasmagoria as a pile of fantastic images can be one of the methods of a work, serve as a means of creating a special fantastic, mysterious, fairy-tale world. Usually phantasmagoria serves the author to show the essence of the phenomenon, but to make it more explicit, more conspicuous, so that the reader not only understands what it consists of, but also sees the funny sides of this phenomenon. It is no accident that phantasmagoria is used as a literary device by authors whose task is to ridicule and debunk the society they depict in their works.
Main features
The clash of groundless dreams and falsified reality, the fusion of dreams and dreams, a dream in reality forms a phantasmagoria - a reality where everything is possible, everything can happen, happen. The imposition of the reality of the unconscious on a rationalized reality leads to the inversion and destruction of the meaning of established things and phenomena. The phantasmagoria appears as an accidental, instantaneous narcotic illumination, in which a great nothing flickers behind the ghosts of things. As J. Cocteau wrote:
Where is my rose wreath?
We are the face pattern of the carpet of metamorphosis
Death weaves it from the inside out.
As a figment of the imagination, phantasmagoria is a hallucination, a chimera that has arisen as a result of the influence of the modalities of the unconscious beyond critical thinking. Instant intuitive grasping, the vision of absolute reality presupposes the appearance of the ghost of eternity and infinity in the play of possibilities, in relation to which the current time of physical existence loses its meaning. The past of the dream merges with the future of the dream into a kind of timelessness.
An illustration of the phantasmagoria of ceased time is the sinking of the spirit in Poe's story The Well and the Pendulum (1844). The pendulum threatening a person symbolizes the current present of the outside world, which inexorably brings death closer. A person who is to be hacked by a pendulum is breathtaking with every swing with horror. All fibers of the soul are permeated with a passionate desire to stop time.
Phantasmagoria is an indicator of the highest degree of a game in which there are no rules, it is a play of the forces of eros and aggression, a play of illusions and confusion of feelings. In the dynamic chaos, delusions of the mind, desires, aspirations, hopes, superstitions, latent fears and apprehensions, unrealizable hopes acquire paramount importance. The play of hidden feelings shows the supreme power over man, recalling the irony of Nero, whose dominance over the world has exhausted itself in negative dialectics. The miraculous and the supernatural are superimposed on the banal and natural, forming such an element of the fantastic as a cliché - a sign that is extraordinary in its meaning, but banal in form.
A little about the white rabbit
There is not a single person in the whole world who has not heard of "Alice in Wonderland" by L. Carroll. The characters of this book have long been firmly entrenched in the consciousness of mankind, and the author of the work is perhaps the first and most striking example of a writer who turned to phantasmagoria. The phantasmagoria of Lewis Carroll is fascinating, mysterious, sometimes absurdly colorful. On its pages, in the literal sense, magic passes into the world of reality, becomes reality itself. That is why his characters and heroes have become familiar to man for a long time. In addition to the banner "Alice", Carroll also published a collection of poems "Phantasmagoria", which included the poem of the same name. In general, it is the phantasmagoria of the prepared soul that is most often used in literature, when the improbability of being, a huge world full of exaggerations and puns, becomes an integral part of human existence.
The appearance of phantasmagoria in animation and cinema
Phantasmagoria includes the world's first hand-drawn cartoon with the telling name "Phantasmagoria", released in 1908. The French filmmaker Jean Vigo also worked in the genre of phantasmagoria. In 1930, he shot the film "About Nice", where the phantasmagoria is shown as a ghostly picture obtained with the help of optical devices. In Vigo's next film, Jean Taris, Swimming Champion, the element of phantasmagoria works at a narrative level, demonstrating "delirium in reality" and "quirks in reality." The film "Lieutenant Kizhe", based on the story of the same name by Yuri Tynyanov by director Alexander Fayntsimmer in 1934, also contains elements of phantasmagoria. In the future, a number of unpopular films were shot, partially using phantasmagoria.
Films in the genre of phantasmagoria
Phantasmagoria in cinema: famous directors
Cinema is a visual art. And with the help of modern special effects and animation, it makes it possible to create the most unreal landscapes, color combinations and whimsical images. Let us recall three modern directors specializing in adult movie fairy tales: the Frenchman Michel Gondry, the American Wes Anderson and the main Indian of Hollywood - Tarsem Sinha. What these directors have in common is that they create their amazing cinematic worlds without actually using computer special effects.
Michelle Gondry
As a child, the Oscar-winning filmmaker wanted to become an artist or inventor, like his grandfather Constant Martin, who created one of the first synthesizers. While Michel studied at art school, he organized a punk rock band, but demand and success came to him when he began directing music videos and commercials. He has directed music videos for Bjork, Paul McCartney and Radiohead. The commercials of Adidas, Coca-Cola, Polaroid, Nescafe with George Clooney, and the ad for Levis jeans directed by Gondry hit the Guinness Book of Records as the most award-winning video in the history of this genre. He was one of the first to use the Bullet time slow motion technique that became famous after the release of the movie "The Matrix" in advertising.
"Science of sleep"
In this film, Michel Gondry decided to finally erase the boundaries between dream and reality and mix them. He confessed that The Science of Sleep is an autobiographical film: “We shot the film in the house where I lived with my son and his mother. I wanted to explore the story that happened to me 25 years ago, in 1983, when I was in Paris, and the one that was with me in New York two years ago, so I combined them into one ... "
The huge arms of Bernal's hero, which grow from him during sleep, are also a real nightmare that Michel Gondry saw as a child. A necklace made of nail clippings is also part of the director's biography. Gondry spoke about his ex-girlfriend: “She was unhappy with my long nails. So I connected them with a chain and turned them into a piece of jewelry. " The heroes of the Science of Sleep speak English, French and Spanish. It was unplanned: Gondry asked the Spanish actor Gabriel Garcia Bernal to learn French by the beginning of filming, but he did not have time to do it.
"Foam days"
This film is an adaptation of Boris Vian's novel. And the world, which is the scene of history, will give odds to any dream: in an apartment where the real sun lives, housekeeping mice talk to cats, lovers spend a date flying on clouds, the great philosopher Jean-Sol Partre (a parody of Sartre) lectures , and flowers can sprout in the lungs of a person, and this disease is fatal and incurable. Despite the irony over Sartre, the philosopher himself spoke highly of Vian's work.
Wes Anderson
When little Anderson, growing up in Texas, was 8 years old, his parents divorced. Later, he will refer to it as "the most important event in my life and the life of my brothers," and this divorce will form the basis of his film "The Tenenbaum Family".
At first glance, it seems that his films are not phantasmagorias at all. These are quite plausible realistic stories, tragicomedies, melodramas, albeit a little eccentric. But the world that Wes Anderson builds in his paintings excites the imagination and pleases the eye more than any fairy tale. The style of Wes Anderson is perfect symmetry in all paintings, the hero or central figure is always in the center of the frame. A very large number of detailed details. He works on films independently at all stages of production. All this forms what is called the "style of Wes Anderson." It cannot be confused with anyone.
“When I think of another film, I imagine the world in which the action will take place. All these design details are my attempts to create this world, perhaps not similar to reality and, I hope, not similar to the places where you have already been, ”says the director himself.
« Hotel“ Grand budapest” »
This Oscar-winning film is filmed in three different aspect ratios: 1.33, 1.85 and 2.35: 1. They are not chosen by chance and correspond to three different time intervals - different frame proportions indicate what time period lasts on the screen.
In advance, before the start of production of the film, Wes Anderson made an animated puppet version of the film, a kind of plot guide, which was used by the film crew in the future as an aid in the work and was shown to the actors. The real shooting of the nonexistent hotel took place on the border of Germany, the Czech Republic and Poland - in the Saxon city of Görlitz and partly in Dresden.
In addition to working with the composition of the frame, there are many jokes in the film. For example, almost all male characters in the picture wear mustaches. The end credits say that the film was based on the story of Stefan Zweig, although the creators of the picture later named several works at once: "Impatience of the Heart", "Notes of a European", "24 Hours in the Life of a Woman".
"Kingdom of the Full Moon"
In one of the scenes in this film, the girl Suzie finds the brochure "Fighting the Naughty Child" at home. This moment is autobiographical for Anderson, he had a similar incident in his childhood: “There was nothing wrong with that. It was only at the moment when I found her that I was very surprised. " Another scene in the film is part of the biography of screenwriter Roman Coppola (Anderson's friend). His mother, like the film's heroine Laura Bishop, yelled at family members through a megaphone.
So piece by piece, like a mosaic, the plots of Wes Anderson's phantasmagorias are lined up. And the filming process itself is often unusual. For example, while working on "Kingdom of the Full Moon" Wes Anderson rented an old mansion so that he, the cameraman and editor of the picture could work there. The actors were accommodated in a hotel next door, but in the end both Edward Norton and Bill Murray and Jason Schwartzman moved into the old house.
Tarsem Singha
The childhood of the director of Indian origin was spent in Iran, and then in the Himalayas. When his father found out that his son had decided to go to film instead of Harvard, he said that he was no longer his son. “In India, I saw a book called A Guide to America's Film Schools and was blown away by it. She changed my life, because before that I thought that going to college is necessary in order to study something that your father loves, and you yourself hate. I told my father that I wanted to study cinema, and he replied that he would never allow me to do this. But I went to Los Angeles and made a film that earned me a scholarship to the College of Art, ”says the director. Now the director lives alternately in London and Los Angeles. But for his films there are no geographical boundaries, for example, "Outland" was filmed in 18 countries around the world.
A feature of Tarsem Singh's style is balancing on the verge of dream and reality. Singh's style was greatly influenced by Russian directors - Tarkovsky and Parajanov. Like Gondry, Tarsem Singh began his film career in advertising. He shot dozens of commercials before he made his big-screen debut, The Cage.
Outland
Tarsem Singh worked on the script for Outland for 17 years. He himself acted as the scriptwriter, director and producer of the film. He watched the 1981 Bulgarian film Yo-ho-ho by Zako Heskia, about an actor who is hospitalized due to an injury. The injury is serious, the actor may no longer be able to walk. He tells fairy stories to the boy-roommate. This story formed the basis of Outland. The fantastic shots and worlds that we see in the film, according to the director, were created without any special effects at all. For this, 26 different parts of the planet were used in 18 countries of the world.
Little actress Katinka Uantaru, performer of the role of the girl of Alexandria, who, by analogy with the Bulgarian source, listens to the stories of the crippled stuntman, was sure that he really was injured and his legs were paralyzed. They did not persuade her. Cruel, but in this case, art requires such sacrifices - the girl did not play, but lived her role.
Phantasmagoria in painting
If we take into account the fact that phantasmagoria is, first of all, going beyond the usual, a certain amount of madness, mental insanity, then the greatest admirer of this phenomenon, undoubtedly, can be called Hieronymus Bosch. It is difficult to find works that are more phantasmagoric, strange, surprising and frightening at the same time. Of course, this example is far from the only one. Phantasmagoria is Dali, and Rodney Matthews, and, undoubtedly, Goya, for whom this direction was the final one. The phenomenon of phantasmagoria is rather difficult to correlate with this or that time period, a specific era. Of course, in the era of classicism, turning to this kind of figurative system was unusual, but baroque architecture and painting can present countless examples of phantasmagorias. An appeal to this kind of art is, first of all, an attempt to convey, broadcast the vulnerability, fragility of human nature, its place in the context of the immensity of the soul, consciousness, and the world. This is an attempt to focus attention on how frightening and at the same time beautiful the world can be, passed through the prism of human perception.
φάντασμα - a ghost and ἀγορεύω - publicly speaking) - a genre of theatrical performance in Europe in the 18th-19th centuries, in which frightening images were shown in the background with the help of a "magic lantern": skeletons, demons, ghosts.- Phantasmagoria (game)- computer game, developed by Sierra On-Line, 1995.
- Phantasmagoria: A Puzzle of Flesh- computer game, sequel to Phantasmagoria.
- Phantasmagoria (group) is a Japanese visual kei band.
- Phantasmagoria (album)- 3rd studio album by British prog rock band Curved Air, 1972.
- Phantasmagoria (song)- a song from the Canadian metal band Annihilator from the album Never, Neverland.
- Phantasmagoria (album, Limbonic Art)- 7th studio album by Norwegian symphonic black metal band Limbonic Art.
- Fantasmagoria (song) is a song by the power metal band Emerald Sun from the Regeneration album.
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Synonyms:See what "Phantasmagoria" is in other dictionaries:
phantasmagoria- and, w. fantasmagorie c. phantasma ghost + agoreuo say. 1. Display of light pictures using optical devices. ALS 1. After the lecture Strakhov showed the experiments on which the phantasmagoria is based (he represented shadows, say ... Historical Dictionary of Russian Gallicisms
- (Greek, from phantasma vision, and agora assembly). 1) the art of showing ghosts. 2) an image or picture that appears to the viewer. Dictionary of foreign words included in the Russian language. Chudinov AN, 1910. FANTASMAGORIA Greek, from phantasma, ... ... Dictionary of foreign words of the Russian language
FANTASMAGORIA, phantasmagoria, wives. (from the Greek phantasma ghost and agoreuo I say). 1. Bizarre delusional vision (book). “Happiness is over for him, and what happiness? phantasmagoria, deception. " Goncharov. 2. transfer. Nonsense, impossible thing (colloquial) ... Ushakov's Explanatory Dictionary
Cm … Synonym dictionary
- (Greek phantasma vision, ghost and agoreuo say), something unreal, bizarre visions, delusional fantasies ... Modern encyclopedia
- (from the Greek phantasma vision of a ghost and agoreuo I say), something unreal, bizarre visions, delusional fantasies ... Big Encyclopedic Dictionary
FANTASMAGORIA, and, wives. Bizarre delusional vision. | adj. phantasmagoric, oh, oh. Ozhegov's Explanatory Dictionary. S.I. Ozhegov, N.Yu. Shvedova. 1949 1992 ... Ozhegov's Explanatory Dictionary
- (from the Greek phantasma - a vision, a ghost and agoreuo - I say) a bizarre vision, a fantastic image, a ghost, a hallucination, something unreal. Philosophical Encyclopedic Dictionary. 2010 ... Philosophical Encyclopedia
- (from the Greek phantasma vision, ghost and ado geio I say) eng. phantasmagoria; German Phantasmagoric. A ghostly fantastic idea of something, crazy ideas. Antinazi. Encyclopedia of Sociology, 2009 ... Encyclopedia of Sociology
- (from the Greek phantasma vision, ghost and agoreuo I say) something unreal, bizarre visions, delusional fantasies. Political Science: Dictionary Handbook. comp. Prof. Paul of Sciences Sanzharevsky I.I .. 2010 ... Political science. Dictionary.
Phantasmagoria- (Greek phantasma vision, ghost and agoreuo say), something unreal, bizarre visions, delusional fantasies. ... Illustrated Encyclopedic Dictionary
Books
- Phantasmagoria, Bruce Julia. This book is the ultimate guide to supernatural creatures, magical creatures, and evil monsters. In it you will find the stories that made them famous: from ancient legends to ...
Phantasmagoria in some sources is considered as something that does not exist in reality. In the dictionary of synonyms, similar to the word - ghost. In the historical encyclopedic dictionary, according to Internet sources, the meaning of this concept is defined as something created by the imagination, in delirium. A more subtle approach to the translation of this word (wikipedia) characterizes phantasmagoria as a kind of theatrical genre. With the help of special lighting and mirrors, an action was played out on the stage, resembling a picture of the revival of skeletons, ghosts and other really non-existent phenomena. The spectacle was a little eerie, mesmerizing in its own way and, undoubtedly, having its fans, now we would say, fans. People enjoyed themselves in a similar way, in Europe in the 18-19 centuries.
In cinema, music, cartoons, this term defines everything bizarre, strange, fantastic based on the vision of unreal ghostly visions and fantasies. If we turn to the interpretation of the concept of phantasmagoria in a collection of figurative words and allegories, then the direct formulation means the skill, the art of depicting vague inexplicable pictures using reflections, mainly mirror images. Thus, one can imagine how a person learned to create mystical, strange and inexplicable stories from unreal life. More precisely, to create something that many of us are afraid of, which many of us are afraid of and from which the heart will get dirty. He learned to create something similar in such a way that in a certain sense this skill was applied in many genres of past and modern art.
Yes, probably, and there is nothing strange in this, because even our grandmothers, and we, in due time, with the help of the same mirrors, in some way became participants in the creation of mystical visions. I mean, divination in mirrors. Even in her early youth, my grandmother told how she and her friends in pitch darkness, preferably in a non-residential area, with the help of mirrors and candles, evoked the image of a betrothed - a mummer. The desire to see her destiny, for one of the girls, ended tragically, she died of a heart attack or, as people say, from a heart attack. Why exactly this happened is impossible to say, however, the mental state of each of the participants in that fortune-telling, according to the grandmother, was at the limit even before the tragedy. We also wondered about our princes, but we decided to do this only in the house, when there were adults in the neighboring rooms.
Psychologists note a certain dependence of mentally ill people with certain pathologies from such phenomena. For some, obsessive states are manifested in the fear of ghosts, demons, which are everywhere and constantly haunt them. They interfere with living in the house and even kill relatives. In others, mental deviations are based on a direct dependence on watching such films, from which, according to the patients themselves, they get pleasure, moral "saturation", in other words, from all such horror, they get a "high". I can't judge how correct it is to get involved in such fortune-telling, listen to strange music or hang out on the same Internet games, but I know one thing, people with a sick heart and a weak psyche should avoid such hobbies.
Whether ghosts and demons exist or not - humanity may someday find a way to scientifically confirm their existence. However, in real life, I personally would prefer not to face them. Enough worries and troubles with living people. You can believe in many unreal things and mystical phenomena, you can create them artificially and attract others to your works, you can enjoy and depend on such images. But the passion for phantasmagoria, as art, should not be identified with reality, and even more so endanger your life and the lives of loved ones.
Phantasmagoria(from ancient Greek φάντασμα - a ghost and ἀγορεύω - I speak publicly). The word has several meanings:
- Bizarre delusional vision: “Happiness is over for him, and what happiness? phantasmagoria, deception. "
- In a figurative sense - nonsense, an impossible thing.
- A ghostly, fantastic image obtained through various optical devices.
- Phantasmagoria (art) - a heap of bizarre images, visions, fantasies; chaos, confusion, grotesque.
- Phantasmagoria (performance) - a genre of theatrical performance in Europe in the 18th-19th centuries, in which frightening images were shown in the background with the help of a "magic lantern": skeletons, demons, ghosts.
"Magic Lantern" - a device for projection of images, widespread in the XVII – XX centuries, XIX centuries. - in widespread use. It is a significant stage in the history of the development of cinema.
- Phantasmagoria (cinema) is a subgenre of science fiction cinema, representing films about something completely unreal, depicting bizarre visions, delusional fantasies.
- Phantasmagoria (in literature) is a satirical technique akin to grotesque, that is, exaggerated caricature of a character when he appears to the reader in ugly and incredible forms, all the more clearly showing his essence.
Phantasmagoria in literature
Phantasmagoria as a pile of fantastic images can be one of the methods of a work, serve as a means of creating a special fantastic, mysterious, fairy-tale world. Usually phantasmagoria serves the author to show the essence of the phenomenon, but to make it more explicit, more conspicuous, so that the reader not only understands what it consists of, but also sees the funny sides of this phenomenon. It is no accident that phantasmagoria is used as a literary device by authors whose task is to ridicule and debunk the society they depict in their works.
Main features
The clash of groundless dreams and falsified reality, the fusion of dreams and dreams, a dream in reality forms a phantasmagoria - a reality where everything is possible, everything can happen, happen. The imposition of the reality of the unconscious on a rationalized reality leads to the inversion and destruction of the meaning of established things and phenomena. The phantasmagoria appears as an accidental, instantaneous narcotic illumination, in which a great nothing flickers behind the ghosts of things. As J. Cocteau wrote:
Where is my rose wreath?
We are the face pattern of the carpet of metamorphosis
Death weaves it from the inside out.
As a figment of the imagination, phantasmagoria is a hallucination, a chimera that has arisen as a result of the influence of the modalities of the unconscious beyond critical thinking. Instant intuitive grasping, the vision of absolute reality presupposes the appearance of the ghost of eternity and infinity in the play of possibilities, in relation to which the current time of physical existence loses its meaning. The past of the dream merges with the future of the dream into a kind of timelessness.
An illustration of the phantasmagoria of ceased time is the sinking of the spirit in Poe's story The Well and the Pendulum (1844). The pendulum threatening a person symbolizes the current present of the outside world, which inexorably brings death closer. A person who is to be hacked by a pendulum is breathtaking with every swing with horror. All fibers of the soul are permeated with a passionate desire to stop time.
Phantasmagoria is an indicator of the highest degree of a game in which there are no rules, it is a play of the forces of eros and aggression, a play of illusions and confusion of feelings. In the dynamic chaos, delusions of the mind, desires, aspirations, hopes, superstitions, latent fears and apprehensions, unrealizable hopes acquire paramount importance. The play of hidden feelings shows the supreme power over man, recalling the irony of Nero, whose dominance over the world has exhausted itself in negative dialectics. The miraculous and the supernatural are superimposed on the banal and natural, forming such an element of the fantastic as a cliché - a sign that is extraordinary in its meaning, but banal in form.
A little about the white rabbit
There is not a single person in the whole world who has not heard of "Alice in Wonderland" by L. Carroll. The characters of this book have long been firmly entrenched in the consciousness of mankind, and the author of the work is perhaps the first and most striking example of a writer who turned to phantasmagoria. The phantasmagoria of Lewis Carroll is fascinating, mysterious, sometimes absurdly colorful. On its pages, in the literal sense, magic passes into the world of reality, becomes reality itself. That is why his characters and heroes have become familiar to man for a long time. In addition to the banner "Alice", Carroll also published a collection of poems "Phantasmagoria", which included the poem of the same name. In general, it is the phantasmagoria of the prepared soul that is most often used in literature, when the improbability of being, a huge world full of exaggerations and puns, becomes an integral part of human existence.
The appearance of phantasmagoria in animation and cinema
Phantasmagoria includes the world's first hand-drawn cartoon with the telling name "Phantasmagoria", released in 1908. The French filmmaker Jean Vigo also worked in the genre of phantasmagoria. In 1930, he shot the film "About Nice", where the phantasmagoria is shown as a ghostly picture obtained with the help of optical devices. In Vigo's next film, Jean Taris, Swimming Champion, the element of phantasmagoria works at a narrative level, demonstrating "delirium in reality" and "quirks in reality." The film "Lieutenant Kizhe", based on the story of the same name by Yuri Tynyanov by director Alexander Fayntsimmer in 1934, also contains elements of phantasmagoria. In the future, a number of unpopular films were shot, partially using phantasmagoria.
Films in the genre of phantasmagoria
Phantasmagoria in cinema: famous directors
Cinema is a visual art. And with the help of modern special effects and animation, it makes it possible to create the most unreal landscapes, color combinations and whimsical images. Let us recall three modern directors specializing in adult movie fairy tales: the Frenchman Michel Gondry, the American Wes Anderson and the main Indian of Hollywood - Tarsem Sinha. What these directors have in common is that they create their amazing cinematic worlds without actually using computer special effects.
Michelle Gondry
As a child, the Oscar-winning filmmaker wanted to become an artist or inventor, like his grandfather Constant Martin, who created one of the first synthesizers. While Michel studied at art school, he organized a punk rock band, but demand and success came to him when he began directing music videos and commercials. He has directed music videos for Bjork, Paul McCartney and Radiohead. The commercials of Adidas, Coca-Cola, Polaroid, Nescafe with George Clooney, and the ad for Levis jeans directed by Gondry hit the Guinness Book of Records as the most award-winning video in the history of this genre. He was one of the first to use the Bullet time slow motion technique that became famous after the release of the movie "The Matrix" in advertising.
"Science of sleep"
In this film, Michel Gondry decided to finally erase the boundaries between dream and reality and mix them. He confessed that The Science of Sleep is an autobiographical film: “We shot the film in the house where I lived with my son and his mother. I wanted to explore the story that happened to me 25 years ago, in 1983, when I was in Paris, and the one that was with me in New York two years ago, so I combined them into one ... "
The huge arms of Bernal's hero, which grow from him during sleep, are also a real nightmare that Michel Gondry saw as a child. A necklace made of nail clippings is also part of the director's biography. Gondry spoke about his ex-girlfriend: “She was unhappy with my long nails. So I connected them with a chain and turned them into a piece of jewelry. " The heroes of the Science of Sleep speak English, French and Spanish. It was unplanned: Gondry asked the Spanish actor Gabriel Garcia Bernal to learn French by the beginning of filming, but he did not have time to do it.
"Foam days"
This film is an adaptation of Boris Vian's novel. And the world, which is the scene of history, will give odds to any dream: in an apartment where the real sun lives, housekeeping mice talk to cats, lovers spend a date flying on clouds, the great philosopher Jean-Sol Partre (a parody of Sartre) lectures , and flowers can sprout in the lungs of a person, and this disease is fatal and incurable. Despite the irony over Sartre, the philosopher himself spoke highly of Vian's work.
Wes Anderson
When little Anderson, growing up in Texas, was 8 years old, his parents divorced. Later, he will refer to it as "the most important event in my life and the life of my brothers," and this divorce will form the basis of his film "The Tenenbaum Family".
At first glance, it seems that his films are not phantasmagorias at all. These are quite plausible realistic stories, tragicomedies, melodramas, albeit a little eccentric. But the world that Wes Anderson builds in his paintings excites the imagination and pleases the eye more than any fairy tale. The style of Wes Anderson is perfect symmetry in all paintings, the hero or central figure is always in the center of the frame. A very large number of detailed details. He works on films independently at all stages of production. All this forms what is called the "style of Wes Anderson." It cannot be confused with anyone.
“When I think of another film, I imagine the world in which the action will take place. All these design details are my attempts to create this world, perhaps not similar to reality and, I hope, not similar to the places where you have already been, ”says the director himself.
« Hotel“ Grand budapest” »
This Oscar-winning film is filmed in three different aspect ratios: 1.33, 1.85 and 2.35: 1. They are not chosen by chance and correspond to three different time intervals - different frame proportions indicate what time period lasts on the screen.
In advance, before the start of production of the film, Wes Anderson made an animated puppet version of the film, a kind of plot guide, which was used by the film crew in the future as an aid in the work and was shown to the actors. The real shooting of the nonexistent hotel took place on the border of Germany, the Czech Republic and Poland - in the Saxon city of Görlitz and partly in Dresden.
In addition to working with the composition of the frame, there are many jokes in the film. For example, almost all male characters in the picture wear mustaches. The end credits say that the film was based on the story of Stefan Zweig, although the creators of the picture later named several works at once: "Impatience of the Heart", "Notes of a European", "24 Hours in the Life of a Woman".
"Kingdom of the Full Moon"
In one of the scenes in this film, the girl Suzie finds the brochure "Fighting the Naughty Child" at home. This moment is autobiographical for Anderson, he had a similar incident in his childhood: “There was nothing wrong with that. It was only at the moment when I found her that I was very surprised. " Another scene in the film is part of the biography of screenwriter Roman Coppola (Anderson's friend). His mother, like the film's heroine Laura Bishop, yelled at family members through a megaphone.
So piece by piece, like a mosaic, the plots of Wes Anderson's phantasmagorias are lined up. And the filming process itself is often unusual. For example, while working on "Kingdom of the Full Moon" Wes Anderson rented an old mansion so that he, the cameraman and editor of the picture could work there. The actors were accommodated in a hotel next door, but in the end both Edward Norton and Bill Murray and Jason Schwartzman moved into the old house.
Tarsem Singha
The childhood of the director of Indian origin was spent in Iran, and then in the Himalayas. When his father found out that his son had decided to go to film instead of Harvard, he said that he was no longer his son. “In India, I saw a book called A Guide to America's Film Schools and was blown away by it. She changed my life, because before that I thought that going to college is necessary in order to study something that your father loves, and you yourself hate. I told my father that I wanted to study cinema, and he replied that he would never allow me to do this. But I went to Los Angeles and made a film that earned me a scholarship to the College of Art, ”says the director. Now the director lives alternately in London and Los Angeles. But for his films there are no geographical boundaries, for example, "Outland" was filmed in 18 countries around the world.
A feature of Tarsem Singh's style is balancing on the verge of dream and reality. Singh's style was greatly influenced by Russian directors - Tarkovsky and Parajanov. Like Gondry, Tarsem Singh began his film career in advertising. He shot dozens of commercials before he made his big-screen debut, The Cage.
Outland
Tarsem Singh worked on the script for Outland for 17 years. He himself acted as the scriptwriter, director and producer of the film. He watched the 1981 Bulgarian film Yo-ho-ho by Zako Heskia, about an actor who is hospitalized due to an injury. The injury is serious, the actor may no longer be able to walk. He tells fairy stories to the boy-roommate. This story formed the basis of Outland. The fantastic shots and worlds that we see in the film, according to the director, were created without any special effects at all. For this, 26 different parts of the planet were used in 18 countries of the world.
Little actress Katinka Uantaru, performer of the role of the girl of Alexandria, who, by analogy with the Bulgarian source, listens to the stories of the crippled stuntman, was sure that he really was injured and his legs were paralyzed. They did not persuade her. Cruel, but in this case, art requires such sacrifices - the girl did not play, but lived her role.
Phantasmagoria in painting
If we take into account the fact that phantasmagoria is, first of all, going beyond the usual, a certain amount of madness, mental insanity, then the greatest admirer of this phenomenon, undoubtedly, can be called Hieronymus Bosch. It is difficult to find works that are more phantasmagoric, strange, surprising and frightening at the same time. Of course, this example is far from the only one. Phantasmagoria is Dali, and Rodney Matthews, and, undoubtedly, Goya, for whom this direction was the final one. The phenomenon of phantasmagoria is rather difficult to correlate with this or that time period, a specific era. Of course, in the era of classicism, turning to this kind of figurative system was unusual, but baroque architecture and painting can present countless examples of phantasmagorias. An appeal to this kind of art is, first of all, an attempt to convey, broadcast the vulnerability, fragility of human nature, its place in the context of the immensity of the soul, consciousness, and the world. This is an attempt to focus attention on how frightening and at the same time beautiful the world can be, passed through the prism of human perception.
From Wikipedia, the free encyclopedia
Phantasmagoria(from ancient Greek. φάντασμα - a ghost and ἀγορεύω - I speak publicly):
- Phantasmagoria (art) - a heap of bizarre images, visions, fantasies; chaos, confusion, grotesque.
- Phantasmagoria (performance) is a genre of theatrical performance in Europe in the 18th-19th centuries, in which frightening images were shown in the background with the help of a "magic lantern": skeletons, demons, ghosts.
- Phantasmagoria (cinema) is a subgenre of science fiction cinema, representing films about something completely unreal, depicting bizarre visions, delusional fantasies.
- Phantasmagoria (cartoon) - silent short cartoon, France, 1908. Director - Kohl, Emil.
- Phantasmagoria (target designation system) - Russian aircraft target designation station for anti-radar X-58 and X-25 MPU missiles.
Phantasmagoria
- Phantasmagoria (game) is a computer game developed by Sierra On-Line, 1995.
- Phantasmagoria: A Puzzle of Flesh is a computer game, the sequel to Phantasmagoria.
- Phantasmagoria (Touhou Project) - games united by this name in a series with non-standard gameplay: scrolling shooters for two players (Phantasmagoria of Dim. Dream, Phantasmagoria of Flower View).
- Phantasmagoria (band) is a Japanese visual kei band.
- Phantasmagoria (album) - 3rd studio album by British prog rock band Curved Air, 1972.
- Phantasmagoria (song) is a song from the Canadian metal band Annihilator from the album Never, Neverland.
- Phantasmagoria (Album, Limbonic Art) is the 7th studio album by the Norwegian symphonic black metal band Limbonic Art.
- Fantasmagoria (song) - A song from the power metal band Emerald Sun from the Regeneration album.
- Phantasmagoria in Two (song) is a song by American artist Tim Buckley from the 1967 Goodbye and Hello album.
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Excerpt from Phantasmagoria
Denisov grimaced even more.- Squeg "but," he said, throwing the purse with several gold pieces. - G'ostov, count, my dear, how many are left there, but put the purse under the pillow, - he said and went out to the sergeant.
Rostov took the money and, mechanically, putting aside and leveling heaps of old and new gold, began to count it.
- A! Telyanin! Zdog "ovo! They blew me up yesterday" ah! - I heard the voice of Denisov from another room.
- Who? At Bykov's, at the rat's? ... I knew, ”said another thin voice, and then Lieutenant Telyanin, a small officer of the same squadron, entered the room.
Rostov threw his purse under his pillow and shook the damp little hand extended to him. Telyanin was transferred from the guard for some reason before the campaign. He behaved very well in the regiment; but they did not love him, and especially Rostov could neither overcome nor hide his unreasonable disgust for this officer.
- Well, young cavalryman, how does my Grachik serve you? - he asked. (Hrachik was a riding horse, a porch, sold by Telyanin to Rostov.)
The lieutenant never looked into the eyes of the person with whom he spoke; his eyes were constantly running from one object to another.
- I saw you drove today ...
“Nothing, good horse,” answered Rostov, despite the fact that this horse, which he bought for 700 rubles, was not worth half that price. - She began to fall on the left front ... - he added. - Cracked hoof! It's nothing. I will teach you, I will show you which rivet to put.
- Yes, show me please, - said Rostov.
- Show, show, it's not a secret. And you will thank for the horse.
“So I will tell you to bring the horse,” said Rostov, wanting to get rid of Telyanin, and went out to tell them to bring the horse.
